A soft pink color palette set the tone for this couple's fall wedding.
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Kathryn and Ian were guests at a wedding in Los Angeles when they caught each other's eye. They first connected on Facebook, but then saw each other in person when Kathryn visited her sister (who just so happened to be Ian's friend). That's when she says she developed a crush—but it was one-sided at first. In fact, Kathryn had nearly given up on the idea of romance when Ian finally decided he was interested and invited her to a movie and dinner. "I'm still not sure he intended it to be a date at first, but he kissed me goodnight and we've been together ever since," Kathryn recalls. After two years of dating, he popped the question while on a walk along the Silver Lake Reservoir. "I proposed to Kathryn on the front lawn of an abandoned mansion in the Los Angeles hills that we had always joked about buying. She said yes—but we still haven't gotten around to buying the mansion," he jokes.
A year later, on November 4, 2017, they found themselves at another picturesque property. Kathryn's sister had been to a wedding at Klentner Ranch, a private estate in Carpinteria, California, and thought the location was beautiful. The couple agreed after seeing its view of the mountains on one side and the Pacific Ocean on the other. Highlighting everything they love about the California landscape, the venue also allowed them to have the effortless and organic wedding they desired—as if they'd invited everyone over to a gathering in their backyard. Their biggest priority was that the guest experience be a great one. With 115 guests from near (Southern California) and far (the East Coast), it was important that that everyone enjoy themselves. They tapped Tory Smith of Smith + James to help them pull it off, and to craft a subtle theme to carry through on the details and color palette. Kathryn, being a retired ballerina (she's now a Pilates instructor, and Ian is a television writer), has never tired of ballet pink, so that was the main color of the day. From there, fall hues and the shades of the California sunset were added into the mix. The event was full of texture, and fun—lively music, an abundant cocktail hour, and lots of dancing.
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A Pink Save-the-Date
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Three talented women collaborated on this lovely stationery suite: Karina Puente created the illustration of autumnal leaves and botanical elements, Anne Robin calligraphed the invite's text and spot calligraphy on other paper elements, and Amber Moon brought it all together as the designer. The fall foliage pattern was debossed onto the invite paper and printed onto a cameo page above the invitation, and the pair was wrapped together with pink ribbon. A stitched booklet was also tucked in to the envelopes, which were mailed using a collection of vintage postage.
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A two-piece Carolina Herrera wedding dress just happened to be hanging on the mannequin in the fitting room when Kathryn went to try on some gowns. "Everything I thought I wanted was just wrong on my body," she says of the two dozen options she considered. "I had seen a couple separates in magazines, but this was the first one I actually tried, and I loved it as soon as I put it on." The soft tulle sat atop a painted and embroidered silk taffeta for fullness without heft. She added on a veil by the same designer, and earrings that belonged to her mom, a few bracelets, a pink ring, and a necklace Ian gave her as a wedding gift.
Ian sported a blue Ted Baker suit that was chosen for its fit and because it brought out the color of his eyes.
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Loose and Lovely Flowers
Kathryn wanted a loose, wild bouquet and Kate Holt of FlowerWild delivered by using muted colors that matched the painted details on the wedding dress. "I was so in awe of Kate's work that I took a floral design workshop after our honeymoon," the bride adds.
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The First Look
The first look was both Kathryn and Ian's favorite part of the wedding, since it was the only quiet time they had together before the chaos of the day. Photographer Corbin Gurkin set Ian up in the garden and brought Kathryn up to see him. "It was so special to be able to see each other for the first time without a hundred pairs of eyes watching us," says the bride.
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In the Navy
The groomsmen and best man wore navy suits, and the same tie and pocket square as Ian.
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The flower girls (Kathryn's cousins, Rosie and Poppy) wore dresses that looked like tutus and ballet slippers as shoes. They tossed rose petals from metal baskets and wore fresh flower crowns down the aisle.
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"We had a few friends get engaged within a month and Ian admitted to being nervous about choosing a ring. I told him whenever the time was right, he should look at Catbird because he wouldn't be able to go wrong. And he chose a beautiful ring," Kathryn says of the rose gold ring with pear-shaped side stones.
Both of their wedding bands also came from the Brooklyn store, but they sized Ian's completely wrong and he almost lost it at the wedding. He currently wears a ring made out of a California quarter that he bought at a craft fair.
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A Floral Arch
What's a better backdrop for a ceremony than the Pacific Ocean? A simple arch was decorated with flowers, which also dressed up the aisle alongside the whitewashed cross-back chairs.
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An Epic Entrance
With the ceremony positioned on the lawn, the couple lucked out with the proximity of the ranch's stone staircase, which was used for the processional. The families entered to Leonard Cohen's "Hallelujah," then the bridal party followed to "In My Life" by the Beatles. When it was time for Kathryn and her father to make their debut, the guitarist played an acoustic version of "Here Comes the Sun" by the Beatles.
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A pal officiated the ceremony, which wasn't religious, but during which the couple exchanged a few words in addition to traditional vows. When it was official, the newlyweds recessed to George Harrison's "My Sweet Lord" on the guitar.
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As the couple had taken portraits before the ceremony, they were able to join guests and enjoy cocktail hour, during which mini fish tacos and mini margaritas were passed, as well as chicken and waffles. "Ian loves appetizers so cocktail hour was very important to him," Kathryn explains. There was also a charcuterie spread and raw bar.
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The Live Music
Tory Smith found an eight-piece mariachi band to perform during cocktail hour—which was one of Ian's only requests and one of Kathryn's favorite moments of it all. Ian chose the mariachi musicians so that the out-of-town guests got a little taste of Southern California in unique way. "I did not expect it to be such a large band, but it was perfect," he says. Plus, it was a fun nod to their first date at a Mexican restaurant.
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Calligraphed escort cards with monogrammed embossed velvet tabs sewn on to the upper right corners were arranged in a tray of moss and fresh flowers using small copper stakes.
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Ten-week-old August (the bride's nephew) was the youngest guest in attendance.
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In the Tent
For the reception, a clear tent was erected on the ranch, with long rectangular tables mixed with a few round ones for variety. In addition to bistro bulbs strung across the width of the structure, geometric lanterns were hung and cast reflections on the clear panels above—making it look like there were twice as many stars in the sky that night.
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The components of each place setting were rented from the ARK: etched stemware, copper chargers, and white textured dinnerware. Taupe taper candles in slender hurricanes, as well as tea lights and votives, reflected off the surfaces, and surrounded the petite centerpieces of ranunculus and eucalyptus.
Amber Moon Design created the menus, which boasted a long ribbon that resembled a pointe shoe ribbon plus a calligraphed place card sewn on. The meal included halibut, tri-tip beef, and seasonal vegetables prepared by Pure Joy Catering.
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The happy couple entered the reception to "You Make My Dreams" by Hall & Oates and it was another classic tune that provided the soundtrack to their first dance: "Strange Magic" by Electric Light Orchestra. When it came time for the parent dances, Kathryn and her dad swayed to "Ballerina" by Van Morrison, and Ian and his mom took a spin to Billy Joel's "Just the Way You Are." As the party wound down, the DJ spun "Modern Love" by David Bowie as the last tune of the evening.
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A Sweet Wedding Cake
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"The whole thing was magical and I wish we could do it again," Kathryn says in hindsight. Magic indeed. The weather forecast called for heavy rain on the wedding day, and as it rarely rains in November in Southern California, most of the event was to occur outside. But after talking about the weather and rain plans, it didn't rain until after the last guest had left that night.
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Photography, Corbin Gurkin
Location, Klentner Ranch
Event planning, Smith + James
Catering, Pure Joy Catering
Stationery, Amber Moon Design
Illustration, Karina Puente Arts
Calligraphy, Anne Robin Calligraphy + Design
Bride's gown and veil, Carolina Herrera
Bride's accessories, Loeffler Randall shoes
Engagement ring and wedding bands, Catbird
Hair and Makeup, Jess Wilcox
Bridesmaids' dresses, Jenny Yoo Collection
Groom's suit, Ted Baker
Groom's and groomsmen's ties, BeauTieUK
Lighting, Spark Creative Events
Transportation, Classy Chassis Rentals