Six Classic Silhouettes

Introduced by Queen Victoria, reimagined by Dior in the 1950s, and never long out of fashion, this is the most romantic of all bridal silhouettes. It features a small waist (natural or dropped) and a voluminous skirt with petticoats. Most flattering to women of at least average height with hourglass or full figures, this style's skirt will overwhelm a petite or particularly buxom bride. Depending on the fabric, the skirt can appear weightless or heavy.

This enduring style's name comes from the triangle (or "A" shape) between the narrow bodice and outer edges of the wide, ungathered skirt. Suitable for a variety of fabrics, the A-line is versatile: It may or may not have a seam at the waist, which may be higher or lower than the natural waistline; and the close-fitting bodice may be strapless or have any type of neckline.

After the French Revolution, Napoleon's wife Josephine popularized this neoclassical dress with a very high waist; the sheer materials she chose caused a sensation. The cropped bodice of the Empire style flatters the small-breasted woman but not a more buxom bride; the raised waist creates a long line, ideal for a petite bride. The skirt may be straight, slightly flared, or even as wide as an A-line.

If you are comfortable with showing off your curves, consider the slyly constructed sheath, popularized in the 1950s by Marilyn Monroe. This body-hugging profile is artfully sculpted with darts, tucks, and seams. The effect will differ depending on the weight and drape of the fabric. A great choice for a tall, slim-hipped woman, the sheath is equally becoming to a petite, slender bride. Avoid this style if you have wide hips but narrow shoulders.