If you’re looking for something timeless but aren’t a round-diamond kind of girl, try on an emerald cut, like this one from Ritani for Forevermark (forevermark.com).
Intricate scrollwork adds antique appeal to Cathy Waterman’s “Leafside” marquise (barneys.com).
A simple band puts the focus on De Beers’s pretty pear (debeers.com).
A basic bezel setting gives Tiffany’s sweet heart a little edge (tiffany.com).
Set horizontally (also referred to as east-west), Stephen Russell’s narrow oval stunner (left, top) mimics a pricier marquise (212-570-6900). Micropave pumps up the pear in Katharine James’s “Bella’s Love” (katharinejames.com, left, bottom).
Many emerald cuts are narrow; others, like this one by Chad Allison, are magnificently wide (chadallison.com).
Thanks to a ring of pave, Martin Katz’s Asscher takes on a new shape all its own (martinkatz.com).
For a twist, choose a horizontally set emerald cut, like MaeVona’s “Eorsa” (maevona.com).
Though Christopher Designs’s Goliath creates the illusion of one giant stone, it’s actually a Crisscut emerald and two trapezoids (christopherdesigns.com).
Michael M’s princess has two rows of pave (michaelmcollection.com).
Round diamonds soften Kirk Kara’s “Carmella Collection” emerald cut (kirkkara.com).
Le Vian’s oval-cut pink diamond (far left) is flanked by half-moon white ones (877-253-8426). Love green? Feast your eyes on H. Stern’s oval-cut emerald (hstern.net, near left).
Daria de Koning’s cushion-cut yellow sapphire has the look of a canary diamond -- for less (dariadekoning.com).
Be like Kate Middleton and rock a sapphire, such as this emerald cut from OGI (ogi-ltd.com).
Or go bold with Anna Sheffield Bridal & Commitment Jewelry’s oval ruby (bridal.annasheffield.com).
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